Falling Show Standards
Posted
#206018
(In Topic #11311)
Full Member
Too many layouts are now more models of scenery, building etc. with the actual railway playing second fiddle. End to end lines seam to be proliferating with one loco, if you are lucky, slowly moving. Maybe it is showing the contol wonders of the latest DCC chip, but I am afraid it bores the pants off me.
I also think I am not the only one because I think visitor numbers are down. I can actually get to see most layouts. With nothing running quite easy.
I seem to remember seeing layouts where there was always at least one train, if not two or more moving in front of the audience. Also as one dissapeared off one end another appeared from the other. Single line loops where all the trains follow each other seem to be in decline.
Not only round and round layouts but end to ends can be interesting. I remember one layout based on Swiss railways where a simple automatic sequence had a couple trains moving most of the time.
I rarely get my camera out and certainly do not bother taking the camcorder any more. What is the point, nothing is moving.
I came back from a show today and told my other half that it was another show where watching grass grow would be more exciting. Again there seemed to be fewer people than in previous years. This trend has been going on for a while and I suspect people are not bothering anymore. I must admit i have only visited very local shows, not going further afield as I have done in the past.
So if you enjoy model scenery shows, with trains occasionally appearing as part of the scenery then visit all the show.
Only good point for all organisers is the removal of the concession for over 60s at many shows now. As most attendees seem to be over 60 I have suggested a premium for this age group! The family tickets are a ggod idea, but from what i have seen recently youngsters are likely to be put off by the lack of movement of any trains.
From a presentation show point of view some of the best layouts have been made from three rail Hornby Dublo. No extra sound effects needed. The tinplate track produces enough from two or more continuously running trains.:pathead
Lets have more modeltrains and less model scenery.
freelance model railways and tramways
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Posted
Guest user
As I've said before, it needs to be more interesting and have something to excite and build in the imagination. Also, as far as the actual modelling goes and some of the reference materials go, we need new pioneers to take things forward. Get rid of some of the wooden tops of yesteryear. No wonder the hobby doesn't go forward in terms of reputation or glamour.They'd send you to sleep. They are skilful, no denying that, but there must be people equally as skilful with the ability to enthuse and who at least have a bit of character and are able to convince you that they still have a pulse.
I think for the time being ………. Until the revolution ………. We are fighting a losing battle. Maybe a bit more direct confrontation at the shows with the operators. I'm not talking about slagging them off or abusive comments, just some face to face honesty. If enough people were giving out the same message ……… There and then …….. On the spot, maybe we would get our running trains.
Some serious changes required. Of course, all of us are in the position to influence. If you ever enter your layout in an exhibition. Don't just turn up …….. Put on a show.
Cheers
Toto
Posted
Legacy Member
Posted
Full Member
Some random thoughts.
I've just got back from the local (Montréal) charity train show, held on 3 floors of an ex-high school located downtown.
There was a real mix of layouts, nearly all were operating trains continuously (shunting doesn't go down well here, tail chasers are the order of the day, mostly freight although there were 2 layouts with passenger trains). Lots of families with young children turned up, and they had a chance to play trains on at least 6 layouts (that I counted). Everything from Brio wooden trains with a big table to build your own layout to an O-scale 3-rail Thomas/James/Henry with smoke and sound. Plus they had a room to themselves with a variety of building activities (Lego, etc.).
Several layouts were short-handed although they did their best to keep the trains running. The organizer quickly moved in and got them assistance from other layouts.
Plenty of individuals with a table doing demonstrations and showing that "it ain't that hard".
The scenery ranged from non-existent (wood/cork/track) through to a 3 season layout (winter/summer/fall - spring only lasts 2 weeks here so nobody bothers).
So what standards should we expect when going to a show? If it's a big show (Warley, Alley Pally) then expect the best and accept no other. You've traveled far (in my case 3500 miles if I go) and paid a lot of money (as Mr. Cohen puts it - "financial inconvenience"). You want VIP treatment and continuous entertainment for 2 days. The layouts are for you to see, get those trains running! Complain to the show manager about the less than stellar layouts and demand a refund if it's that dreadful. If it's a local show in the local church hall enjoy the fun. Admission will be cheap, the tea plentiful and the exhibitors friendly and willing to discuss railway topics. Plus the used items are generally in better condition and reasonably priced. And usually for a good cause.
One thing I've observed over the years is that there are a fair number of show layouts around in the UK whose members look upon the occasion as an opportunity get free admission and to go shopping. The other members hide behind the backdrop and run the occasional train. Or not. Always worth inquiring "where are the trains?". You never know, the club member who should have brought the running stock may be stuck in a traffic jam a 100 miles away. If not, see above.
I'm not sure that all this effort we put into the scenery means anything at a show. People want to see trains running. One of the most popular layouts around here is a G-scale Lego set-up, no scenery. Keep the highly detailed scenery for the home layout, the club layout should be about running trains.
Not sure about keeping discounts for the oldies, it's a nice gesture but what's a $2.00 or a £1.00 difference? Where there should be a discount is for families and youngsters.
I was running trains for a day at a large trains show in Virginia recently (August). The layout is modular, members of the club bring their own modules, so getting the scenery reasonably uniform is a challenge for the organizer. Most of it is basic, even perfunctory. Twenty four 4-foot modules with double mainline tracks, plus spurs (sidings) for various industries, and a couple of passenger stations, it got interesting. There were at least 4 trains at any one time on the track (2 on the up, 2 on the down), so the public got entertained. Trains were controlled from outside the modules (radio DCC), and it was expected that anybody running a train would answer questions and explain what was going on. Plus youngsters capable of negative feedback (it's going to fast, slow down!) and high enough to see the track got the chance to run trains. And count the dinosaurs strategically located here and there. I did manage to go shopping for an hour in the afternoon.
It's a hobby, have fun! No Bill Shankly philosophy.*
Nigel
*"Some people think football is a matter of life and death. I assure you, it's much more serious than that."
©Nigel C. Phillips
Posted
Guest user
I'm fifty next year so no spring chicken. I'm not on about age as such. The more mature modeller is probably where about 70% of our knowledge base lies. What I'm driving at is moving with the times and a bit of fresh blood in order to make the hobby more appealing to a younger audience. I think the hobby has had enough interest to sustain itself over the last generation or two but that is sadly slipping.
I think it really just needs bringing up to date in terms of promotion with the critical consideration being the target audience. I don't think the mature modeller needs to be enticed. Most have had the itch since their childhood days. However given what the hobby now competes with, I don't think the same promotional materials are powerful enough.
The exhibitions have their part to play and where the tickets are pointed towards and are substantially attended by the general public in order to fund them, the exhibitors should keep that in mind and give them something back for their money.
Apologies if my initial post came over as ageist in any way. It was not intended. I'm aware of the average age group throughout the hobby not just the forum and can't think of a quicker way to alienate myself than intentionally making insulting remarks. You must admit though some of the past materials still being pumped out today are a bit outdated. Some one ( regardless of age ) could make a fortune bringing some of these DVD's etc up to date, as although the techniques etc are still relevant, they could be more viewable.
Cheers
:thumbs
Posted
Full Member
I can however state that I have visited shows in both the UK and Australia, ranging from local to national and including some specifically related to a club including internet groups such as this one.
I partially agree with the original post. There are some layouts where nothing is moving and where the scenery is the main display. In some cases that is clearly intended to be the case.
When I first operated a model at a public exhibition back in the 1970s that had a clear message displayed towards the operator stating that "The public have paid to see trains MOVING - ensure at least one train is visible at all times and at least one is MOVING".
That was easy enough on a layout which had a two-track main line with a loop and a siding. You kept one train stopped in the station while another ran laps of the opposite track. Then you swapped them over.
I recently had the chance to exhibit my own work in the UK and for this I was a sole operator of a single-track circuit layout which has a loop and sidings. One train was almost always moving, and one was always in view from the public side, even when I was away for refreshment or toilet breaks leaving things to chance.
There are many styles of layout some of which don't lend themselves to continuous operation. A shunting plank can usually have something moving but something like St. Mawgan, a very effective yet extremely simple single-track (no points, no sidings, literally just a single track), cannot have something moving all the time. One train arrives, waits and departs hence it came before repeating that move. The scenery is as much a part of the display as the train.
End-to-end layouts have gained popularity because, I believe, they are quicker, easier and cheaper for the one-man band or a few people to build and operate. Spectacular layouts such as the Gresley Beat or Black Country Blues take teams / clubs and require significant logistics to move to and from shows. Gresley Beat apparently takes over an hour just to get all the rolling stock in place for example.
A large show aimed at a general audience should aim to have a number of large headline exhibits, perhaps just one or two, a range of smaller layouts and not overlook what one man can bring in the back of his car. Or in my case in his airline travel bag!
My home layout has been described as a model scene through which train happen to run. It wasn't begun with that in mind but the scenery is widely regarded as being as good as some on the exhibition circuit. I set out with no prior knowledge to do things which no-one had told me were difficult. And I succeeded. Not many layouts show substantial sea scenes for example.
The hobby in constantly changing and evolving. It is up to us to ensure that evolution is for the best by what ever means. A related but pertinent question might be "Are there now too many shows for the available exhibits and marketplace?"
Last edit: by Gwiwer
Posted
Banned
I will also add that the retailers at these events 'mark up' there goods for sale, putting the humble trainset outside the reach of a 'new modeller', even in the second hand stalls the price is above average. I often get asked where I purchase my stock from and when I reply, "From the UK", I get the look and the talking down that I am doing their business harm….
Cheers, Gary.
Posted
Full Member
I'm fifty next year so no spring chicken
Hey Tom, if you ain't no spring chicken at 50, what am I at 81, an old boiler?
I think shows vary greatly, a lot depends on the show manager and others involved in the organisation. A good manager will mainly book well known popular layouts with a few unknowns, if the unknowns prove to be good then spread the word to other managers, if lacking however then a few suggestions for improvement should be offered. The increase in traders may be to offset increased costs for exhibitors.
Asking the viewing public to vote for "best layout" (in each scale?) may provide some incentive to operators/owners.
Cheers MIKE
I'm like my avatar - a local ruin!
I'm like my avatar - a local ruin!
Posted
Full Member
I like the term 'tail chasers' and must say that they are usually the most interesting at a show. At many shows there used to be the odd three rail Hornby Dublo layout that just ran.
My rant came about because in the last couple of months I went to four shows and the predominance of 'grass growers/paint dryers' seems to be overwhelming. At the last show I went to they were all like that.
I am not bothered about trade stands. I reckon the balance is about right. Sometimes there are real bargains
Also I have been to two shows this year that did have mainly tailchasing continuously running layouts. Both were for collectors of older trains. Those big gauge US models running around on three rail tinplate track take some beating. There is also a guy who has a couple of ovals running Hornby clockwork locos that have been converted to steam! Have not seen it for a while, but it certainly never lacks an audience, and most of the time two trains are running. Going down to N gauge I have seen layouts of US systems which is just one big loop winding through scenery with a number of trains tail chasing, kept apart by simple auto block switching. It can be done.
As for end to end layouts. I have tried two methods of auto running trains end to end. One reversed the polarity on the loco, the other of the supply. The latter using a 555 timer, circuit in the Babani book on 555 timers. For on board reversing a latching relay is needed. Only tried it on a meccano model so far but reckon it should work on 00. With train operated ponts a nice end to end with two trains running is easily possible.
freelance model railways and tramways
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Posted
Full Member
"Modelling", whatever the genre is, to me, creating a miniature version of the real thing.
In the real world, the scenery was there first, covering a massive area. The railways cut a thin strip through this scenery en route from A to B.
Unless you are modelling either "A" or "B", then the scenery will dominate the scene. If you are indeed modelling "A" or "B", then of course, the railway will dominate and one would expect to see plenty of train movements and shunting etc. depending on what type of location "A" or "B" is.
Modelling "trains" is not particularly difficult, especially with today's superb RTR offerings. Modelling scenery is extremely difficult - if it is to look at all realistic.
Of course, at an exhibition, you do need to see trains moving - it's a "model railway" exhibition, not a "landscape" exhibition but, (IMHO) unless the scenery is of a high standard, the layout looks like something a child could have done.
Regarding speed - my major exhibition grouse is that trains run at a scale 300 mph. Not acceptable !!!
If you stand almost anywhere on the railway network, you will see scenery and experience boredom punctuated by the occasional passing of a train.
I've seen some incredible dioramas where absolutely nothing ever moves but the level of skill is such that I could spend an age studying the detail built into it.
Regarding attendance - I'd love it if I were the only "anorac" there !!! I could spend time looking at every layout that interested me rather than being crowded and jostled by the unwashed. I've been to some "good" exhibitions that, for me, have been spoilt by the crowds. I want to see model railways, not people !!!
Does that make me odd - or just "out of step" with you guys ?
'Petermac
Posted
Guest user
No danger. I've seen the ladies that flock around you on your away days and you ain't no old boiler. You also don't look 81 ( not that there is anything wrong with being 81 ). I'd say you are more of a state of the art " combi boiler " reliable and waiting to deliver in an instant.
hope you've had your pipe work checked for the oncoming winter.:thumbs
Cheers
Toto
Peter,
I don't think you are the odd man out. I think everyone likes to see quality scenics. It's the difference between just looking at it …….. And walking through it. I am also the same with regards to trains hammering around a layout. A sensible " scale like " speed is nice to look at. But ……. Just runs some trains and if your prototypical schedule only runs one train every half an hour ………. Bin it. You can play that card when running your own personal running session or club session , just not at an exhibition. It can still look realistic running to scale ( with the first class scenics ) but maybe just exaggerating the volume of traffic in order to entertain a bit.
Some of the best threads on this forum are such because of the amazing quality of the scenics. Marty, Gary, John Dew to name but a few And all an absolute joy to see.
Cheers
Toto
Posted
Full Member
Our "OO" gauge models are 1:76 scale so maybe a timetable running 76 times faster than the real thing might work ……………although thinking about it, that's way too fast. :roll::roll::roll:
I can't remember what speed these "fast clocks" run at but that's what they're for - to speed up the real world for modelling purposes. I think Max has one and I know Sol's operating sessions run to a timetable but I'm not sure if he uses a "fast clock".
'Petermac
Posted
Full Member
In our limited experience we have only exhibited within Pembrokeshire/Cardiganshire, and at small venues. The layouts that we have shown have been 'Cardigan', 'Kilgerran', 'Cardigan and Kilgerran' together, and latterly 'Cardigan and Boncath' together. In all instances we have tried keep a bit of movement, but do it for the publics benefit - if someone wants to take a photo, we will stop a train - if they want to see cattle waggons, then they get cattle waggons! The sidings and fiddle yard are on view, and if someone wants to see a particular engine run - we oblige - the show is for them, not us.
Probably because we have modelled the area as it actually was, there is more interest in the scenics, but people always want to know how trees were made, how was that house constructed, was that fence really there. If a train is stuck in the station while we answer queries, no one seems to mind.
And if there is a sticky point, people get a kick out of helping. It's fun, everyone enjoys it, and we get satisfaction from seeing our work appreciated.
I think we will stick to our little local exhibitions, they sound a lot less stressful and angst ridden than the big semi-professional shows.
Save the big shows for the rivet counters and time-table addicts.
Hope I've not offended!
Shaun.
Last edit: by gastwo
Posted
Guest user
Much more interesting.:thumbs
Cheers
Toto
Posted
Full Member
The important aspect however, for a really good model railway exhibition (IMHO), is to offer a broad appeal for all ages, types and skills of modeller. I for instance, would like to see a carefully crafted track bed, railway property, attention to detail, as well as correct rolling stock, architecture, road vehicles, clothing and technology appropriate to the period and location being modelled. However, I would also expect a few more 'specials' to be run in an exhibition timetable, as well as someone on hand to answer questions and help explain the story behind what has been modelled, but that's just me.
As I suggested, a successful show will need to offer something for all of its visitors and frankly, it's a neat trick when it can be done. I'm looking forward to he Cheltenham show on the 24/25 Oct to see how well the organisers do, although the appearance of 'Much Murkle' will make it a sure-fire success for a GWR enthusiast like me!
All to our own, but tolerance for others :thumbs
Cheers m'dears,
Bill :)
At 6'4'', Bill is a tall chap, then again, when horizontal he is rather long and people often used to trip over him! . . . and so a nickname was born :)
Posted
Full Member
Peter's views match mine in that I wold prefer to see trains running at something like scale speeds (an honourable mention here to Poynton Sneer) and I agree that those trains might be running through open countryside, suburbia, an industrial scene or may be almost confined to station / depot limits. Each to their own.
What doesn't "do it" for me is layouts at an exhibition which feature large flat areas of grass mat with RtP fences perhaps because the modeller(s) haven't had the inspiration or maybe time to do justice to the landscape through which their trains run.
Peter says correctly that the railway came last to the landscape and cut through what ever was there before, rather than everything being fitted around it. I'm afraid a number of layouts I have seen exhibited don't make it appear that way - more that the scenery (such as is there) has been very much an afterthought.
It's time-consuming and can be costly to present stunning scenery. But the satisfaction in achieving it must be immense. Tetley's Mills will probably stand for all my days as a shining example of how to do it and do it well.
Posted
Full Member
Bill
Posted
Full Member
Cheers for now, Pete.
it was already on fire when I got here, honest!
Posted
Full Member
First two I saw actually had three trains running simultaneously. All the rest, even the small ends to ends were actually moving. It can be done. A show interesting to afficianados as well as the casual punter. But above all to the next generation. Kids want to see trains running.
freelance model railways and tramways
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Posted
Inactive Member
Operators, get real. If you don't perform and appear courteous and interested in those watching you will only end up with no shows to go to.
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